Eggs

Artist’s note

I make eggs as quiet beginnings. The curve moves slowly on purpose so your eye can rest before it wanders. Layers of color sit close to the surface—some days they feel cool and river-smooth, other days warm as late afternoon. The kiln always adds its opinion; I listen, then stop when the form carries ease.

WHAT YOU’RE SEEING

A family of related forms, not twins. From across the room: a clean outline and a steady presence. Up close: tiny shifts in tone, a seam where two decisions met, a soft place your fingertips recognize.

Care and display

Keep dust off with a soft cloth. Give space around the form so its line can breathe.

How they change a room

A single egg on a clear stand can calm a narrow shelf. Three in a nesting bowl suggest more to come. The mood is gentle, not precious. The surface carries small variations that reward a closer look.